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Program note
Triangular Vibrations is an abstract animation based on the vibrations
of an idealised drum. The vibrations are analysed into modes, and shown
on the screen greatly slowed down. The modes are heard (as sine waves)
at normal pitches, but each audible mode is modulated (faded in and out)
in accordance with its visual counterpart. There are in fact three superimposed
drums at different pitches, coloured respectively red, green and blue
in the visual representation. Nine hundred modes are used for each drum.
Some images
Three images from the video. Click on the small images below for enlarged
versions.
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(184 Kbyte)
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(219 Kbyte)
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(229 Kbyte)
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Go
to the download page for a video extract
from Triangular Vibrations.
Performances, etc
- Awarded a Mención Especial in the III Muestra Monográfica
de Media Art, part of the sixth Festival
Internacional de la Imagen, Manizales, Colombia, 24th to 28th April,
2007.
- QUT Computational Arts
concert at Queensland University of Technology, QUT Creative Industries
Precinct, Kelvin Grove, Brisbane, 3rd May 2007.
- Australasian Computer Music Conference,
Australian National University, Canberra, 19th June 2007.
- Accepted for the Generative Art 2007 conference in Milan, 11-14 December 2007.
- Played in two concerts of Australian electro-acoustic music in Sweden, organised by Ivan Zavada: at Gävle on 22nd April 2008 and at Fylkingen in Stockholm, 26th April 2008.
- Played in a concert of Australian electro-acoustic music at the Conservatorio Cherubini, Florence, Italy, 28th April 2008.
- Included in the art show for the 2008 International Symposium on Computational Aesthetics, Lisbon, Portugal, 18th to 20th June 2008.
- The piece was accepted for the 2008 International Computer Music Conference in Belfast, Ireland. But then a policy was announced that only composers able to attend the conference would have works played (this wasn't in the call for pieces). Since I couldn't attend, my piece was removed from the program.
- Triangular Vibrations is on the "Synchresis" DVD, produced by the Australian Network for Art and Technology to accompany the Summer 2007 issue of their magazine "Filter".
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